This week’s video warns against the temptation to eliminate all subtlety and ambiguity.
Did you know that there’s such a thing as an author being too
clear? Most of the time, we’re worrying our heads off to ensure our stories are clear enough
. One of my first questions to beta readers and critique partners is always, “Were you ever confused?” Because we really, really don’t want our readers to be confused. A story that doesn’t make sense is a story that’s gonna be ditched if for no other reason than that’s it’s simply too difficult for readers to bother slogging through the murk.
So it’s easy for us to go all paranoid and start thinking we need to spell out every little thing. Especially if we’re writing a story set in a foreign milieu—a different country, a different time, or just a super-detailed subculture such as the military—we’re going to have readers who are unfamiliar with what we’re talking about. So we go to some trouble to spell it out. But this is where the surprising effect of too much clarity can become a problem.
As much as readers appreciate clarity, they also like to be treated like intelligent adults. Particularly if they already have some grasp of your subject matter—and for every ignorant reader, there will be an educated one—they’re going to want the satisfaction of seeing their own knowledge in action.
For example, I recently read a short science fiction story that employed a good bit of nautical terminology. As someone who loves historical naval stories, of the ilk of Aubrey/Maturin
and Horatio Hornblower
, I found this very satisfying. What I didn’t find so satisfying was that every one of these terms was explained to the reader, which severely mitigated my own pleasure at having recognized the terms and their meanings. This is why authors must walk the line of making foreign concepts clear from the context, for readers who aren’t in the know, without talking down to readers who are already familiar with the subject.
THIS IS A GREAT SOURCE FOR WRITERS